Archive for the ‘Society’ Category

Musical Innovation and Progress; Or: On the Meaning and Implications of Musical Change

Today I happened to notice something I wrote back in 2010 at the end of a post about perfect pitch: “… perfect pitch is a tool which, depending on one’s perspective, may or may not be a benefit or liability to musicians and music in general, but is most likely irrelevant either way in the grand scheme of musical [...]

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Marnie Stern and the Shredder Girls’ Guitar Takeover Crusade

I occasionally go through phases in which I want to check out a bunch of new bands, which I usually do by browsing the iTunes new release samples (who, by the way, are now offering 90-second samples for tracks that are least 2:30 long). Most of the songs I hear are so similar to so [...]

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Dear Hecklers and Haters: Your Folly’s Not Funny

In the arts and entertainment world, you often heard it said, “If you can’t take criticism, you shouldn’t be in the business.” This is largely true, but is often abused or misconstrued as a means of justifying outright mean behavior. To clarify, insightful critical analysis delivered in a *nonthreatening environment, generally as a feature of an [...]

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Group Agency, Voting, Same-Sex Marriage

“Callin’ it your job don’t make it right, boss.” –Cool Hand Luke I. Overview: Philip Pettit on Group Agency The other day, I heard a fascinating interview with philosopher Philip Pettit on the Philosophy Bites podcast. The topic was group agency (the subject and title of Pettit’s as-yet unreleased new book), described thus on the podcast’s [...]

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Edgard Varèse: The Liberation of Sound

Earlier today I posted Milton Babbitt’s “Who Cares if You Listen?” as an example of an avant-garde attitude that I don’t care for. As an antidote to that, here is a beautiful article by the visionary avant-garde composer Edgard Varèse (often referred to as the Father of Electronic Music). To me, this writing is an expression of [...]

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Who Cares if You Listen? (Milton Babbitt’s Famous Article)

In 1958, High Fidelity magazine published the following article by avant-garde composer Milton Babbitt. Babbitt is known for taking serialism to the extreme and for being an active proponent of the modernist movement. This isn’t as cool as it might sound. Fortunately, the sort of attitude in which he took so much pride is increasingly [...]

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American Irony

The other day I was listening to an online lecture in which the following scenerio occurred (I’m paraphrasing in spots, but the salients remain intact): British Lecturer: Suppose a student comes in late to class the fifth day in a row and I say to her, “Early again are we?” What have I really said? Class of [...]

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